Ubumwe - our shared humanity
In the language of the philosopher Edith Stein, which Timothy Snyder draws on in On Freedom, there is a distinction between two kinds of “body.” There is the Körper — the body as an object, a thing that can be used, categorized, or destroyed. And there is the Leib — the living, feeling, experiencing body, the body that carries fear, hope, memory, and meaning. During the genocide against the Tutsi, this distinction marked the boundary between life and annihilation. To commit genocide is to reduce a person to Körper, stripping away the inner life that makes them a subject. A mother becomes only a category. A child becomes only a target. The human being — with a center of feeling, with a name and a story — disappears behind the mask of dehumanization.
In the aftermath, Rwanda had to find a way to restore not only truth and accountability, but the recognition of each person as a living subject again. This is where Gacaca began its work. Under the shade of the Gacaca tree, justice was not an abstract procedure. It was an encounter between Leib and Leib — between bodies that trembled, cried, shook, confronted, confessed, forgave, or refused to forgive. Survivors spoke with voices that cracked under the weight of memory. Perpetrators stood and told their stories, sometimes collapsing into silence or tears. The truth was carried not only in words, but in gestures, pauses, and the visible strain of trying to speak the unspeakable. Rwandan moral language already contains this embodied understanding. Ubumuntu — deep humanity — is the recognition that every person possesses an interior life, a moral core. Ubuntu or ubumwe speaks to the shared nature of that humanity: I am because we are. These traditions align with Snyder’s argument that freedom begins only when we acknowledge the interiority of others. Without seeing the other as Leib, there can be no genuine equality, no empathy, no political community, and no moral repair. Gacaca was therefore more than a system to process cases. It was a national attempt to restore the moral visibility of the Rwandan people, one testimony at a time. Seen through the lens of Leib, Gacaca becomes a process of returning subjectivity to those who had been reduced to objects. It allowed neighbors to see one another not as categories — not as “survivor,” “perpetrator,” “Hutu,” “Tutsi” — but as human beings with vulnerable, feeling bodies. The work of restorative justice in Rwanda was grounded in this embodied recognition.
Healing was not metaphysical; it was lived. It took the form of trembling hands, downcast eyes, slow confessions, and the steady rebuilding of trust in shared spaces. The body carried trauma, but it also carried truth — and truth, once spoken, became the doorway back to moral agency. In this way, Rwanda’s path after genocide illustrates what Snyder calls the foundation of freedom: the refusal to let any person be seen as an object.
Freedom begins with the return of the living body — with the recognition that every human being is a center of experience, memory, and moral possibility. This is the work that happened beneath the Gacaca tree. This is where a broken nation began to rebuild itself: not by abstract principle, but by restoring the dignity of the Leib — the fragile, feeling bodies who survived, the bodies who confessed, and the bodies who still stand together in the long shadow of 1994.